Look Back: Rock Musical Aida Just Closed at LVC “In the past we’ve done very classic style theater, and now we’re preparing a rock opera. It’s totally unlike anything Wig and Buckle has done before,” says director Sean Deffley. “Aida is Elton John, which is modern and consists of pop music, but it is refreshing to get something new.”
Typically members of the theater will turn to other performances done on Broadway or in other college theaters for ideas and understanding. However, Aida has been done by very few colleges. Because of this, Sean chose to make the production more historically accurate, focusing on the classical aspect and working to create what Egypt looked like at the time.
To make the musical a reality, it took a large crew of around 60 individuals. In addition to Deffley, his stage manager and acting crew, there were numerous behind the scenes personnel. The technical crew consisted of individuals working on sets, props, lighting, sound and costumes. All of these areas worked together throughout the process to make Aida a cohesive musical.
This year Wig and Buckle took a different approach to the costumes.
“Children of the Night” has become the name for the technical crew, as often long hours were needed to make the production a success. Individuals working on set design, props, etc., came in during the day to continue their work, but often were forced to wait until rehearsal was over at 10 p.m. each evening to get their various tasks done.
Junior Casey Edwards has led the tech crew since last year and admits that she never used a power tool before she began to help in the theater. As the leader, Casey begins the process of creating the sets and props by developing a blue print of each scene, giving a bird’s eye view of everything planned. She then meets with the director to gather input and continues to evolve her designs, striving to make it different from other productions. Then comes the building, painting, lighting and sound work for the weeks leading up to opening night.
“It can be stressful, but opening night makes it all worth it because you see all you were able to accomplish in a short period of time,” says Casey.
Everything for the production is done by the students, from learning scenes to teaching choreography to constructing scenes, and so on. Numerous colleges require students to take part in the musical for credit, but that’s not the case at LVC. The students involved come from a variety of different majors. The company also does not recruit students or simply use all theater majors. They are all what Dr. Pry calls “walk ons.” With a long tradition of theater excellence, Dr. Pry says that it speaks to the talent of LVC’s student body. “It’s all on their own,” said Dr. Pry. “I may teach, guide, or model them, but they have to enforce the standards of excellence on one another.”





























